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So without further ado, we give you the 50 Best Garage Rock Songs of All Time. Though Is This It? Is often rightfully praised as a garage rock masterpiece, perhaps the best song The. The two best-selling soundtracks of all time celebrate milestones this November, with Saturday Night Fever turning 40 and The Bodyguard turning 25. With that in mind, we decided to take a look at what exactly makes a film soundtrack great, something that seemed much easier on paper than in execution.
By Jay-ZA great song doesn’t attempt to be anything — it just is.When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come. It transcends time. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. Think of “Bohemian Rhapsody,” by Queen. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural.When I’m writing a song that I know is going to work, it’s a feeling of euphoria.
It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone. As soon as you start, you get that magic feeling, an extra feeling. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work.
Writers: Mick Jagger, Keith RichardsProducers: The Glimmer TwinsReleased: May '78, Rolling Stones20 weeks; No. 1were in Toronto, rehearsing for their classic gigs at the El Mocambo Club, when, jamming with R&B legend Billy Preston, came up with 'Miss You.' With a disco groove and a touch of the blues via a harmonica player they found in a Paris subway, it became the band's first Number One hit in five years. 'It's not really about a girl,' Jagger said.
'The feeling of longing is what the song is.' Appears on: (Virgin)RELATED:. Writer: SpringsteenProducer: Brendan O'BrienReleased: July '02, Columbia11 weeks; No. 52wrote the track about 9/11, taking the viewpoint of a firefighter entering one of the Twin Towers ('Can't see nothin' in front of me ') before unleashing the gospel-tinged chorus. It was the title track from an album intended to help his fans cope with the tragedy. 'The fundamental thing I hear from fans is, 'Man, you got me through' — whatever it is,' he told Rolling Stone in 2002.Appears on: (Columbia)RELATED:.
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Writers: Ben Goldwasser, Andrew VanWyngardenProducer: Dave FridmannReleased: Jan '08, ColumbiaDid Not ChartThe rhythm was inspired by the wriggling of a praying mantis that VanWyngarden and Goldwasser kept in college. VanWyngarden wrote about rock-star fantasies ('I'll move to Paris, shoot some heroin'), though it's unclear how facetious the words are.
'Some think we're druggies. Others see the tongue-in-cheek element,' he said. 'That's what I hope for as a lyricist: confusion!' Appears on: (Columbia). Writers: Dino Fekaris, Freddie PerrenProducers: Fekaris, PerrenReleased: Dec.
'78, Polydor27 weeks; No. 1In 1979, Gaynor's career was falling apart. Donna Summer had replaced her as the leading disco diva, and the 32-year-old Gaynor had recently suffered the death of her mother and had undergone spinal surgery. So when she belted out 'I Will Survive,' she brought extra attitude.
The track was originally a B side, but after enterprising DJs started to play it at discos, it turned into a smash.Appears on: I Will Survive: The Anthology (Polygram). Writers: Robert Smith, Simon Gallup, Porl Thompson, Lol Tolhurst, Boris WilliamsProducers: David Allen, SmithReleased: May '87, Elektra19 weeks; No. 40'I've never been a big fan of irony,' Smith said, which might be why this reverie of love, cut at a vineyard in the South of France, is his favorite song. The band's girlfriends influenced the music.
'The girls would sit on the sofa in the back of the control room and give the songs marks out of 10,' he said. 'So there was a really big female input.' Appears on: (Elektra). Writers: Michael Bruce, Glen Buxton, Cooper, Dennis Dunway, Neal SmithProducers: Bob Erzin, Jack RichardsonReleased: Feb. '71, Warner Bros.13 weeks; No. 21Before 'I'm Eighteen,' was just another hairy rock oddball. But this proto-punk smash defined the age when, in Cooper's words, you're 'old enough to be drafted but not old enough to vote.'
A few years later, Johnny Rotten sang this at his audition for the; by then, Cooper was a guest on The Muppet Show.Appears on: (Warner Bros.)RELATED:.
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